The New Vitruvians, a collection of large-scale artworks, offers a fresh, contemporary perspective on the themes of human beauty, and reveals truths about perceptions of physical ideals, and the social and cultural factors that influence them. The project’s name is derived from Leonardo da Vinci’s fundamental study of the human form and proportion, the Vitruvian man, which depicts a nude male figure in two superimposed positions inscribed in a circle and square.

At the onset of The New Vitruvians, the artist conducted his own study of the modern proportions and geometry of beauty. The process began by shooting black-and-white portraits of men and women, chosen to represent the diverse standards of beauty. Each photograph was digitally enhanced to distill its essence in pixilated form. Then, he examined the role of the circle in art and history, and the perfection of its three-dimensional form, the sphere. The two dimensional pixilated images were rendered in three dimensions, printed onto 2,000 to 4,000 one inch spheres per piece, which were then assembled and set by hand into acrylic frames, creating a contemporary interpretation of the pointillistic effect.